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folk baroque
Folk baroque or baroque guitar is the name given to a distinctive and influential guitar fingerstyle developed in Britain in the 1960s, which combined elements of American folk, blues, jazz and ragtime with British traditional music to produce a new and elaborate form of accompaniment. It has been highly important in folk music, folk rock and electric folk playing, particularly in Britain, Ireland, North America and France.
==Definition==
Particularly notable in the folk baroque style was the adoption of DADGAD tuning (from lowest highest strings), which gave a form of suspended-fourth D chord, usefully neither major or minor, which could be employed as the basis for modal based folk songs.〔V. Coelho, ''The Cambridge Companion to the Guitar'' (Cambridge University Press, 2003), p. 39.〕 It is uncertain who first developed this tuning, as both Graham and Carthy attributed it to each other, but it has been speculated that Graham may have acquired it from the oud while visiting north Africa.〔 This was combined with a fingerstyle based on Travis picking and a focus on melody, that made it suitable as an accompaniment.〔 Denselow, who popularized the phrase ‘folk baroque’, singled out Graham's recording of traditional English folk song ‘Seven Gypsies’ on ''Folk, Blues and Beyond'' (1964) as the beginning of the style.〔D. Laing, K. Dallas, R. Denselow and R. Shelton, ''The Electric Muse'' (Methuen, 1975), p. 145.〕
抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』
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